Louis Larsen worked as an English instructor for the majority of his adult life. In that time, he produced many works in both novels and poetry. Louis also worked as a ghost writer for many others, as well as newspapers throughout Utah. The works here represent those left to the family, both published and unpublished. Much of his work reflects a haunting feeling of loss, pain and betrayal. This comes from the loss of his son, Thomas Larsen, in World War II. Tom served with the 85th Mountain Infantry of the 10th Mountain Division, where he served with distinguished honor, and paid the ultimate price for his commitment. Tom lost his life on Riva Ridge, Mount Belvedere in February, 1945. This loss haunted Louis for the remainder of his life. Many of his poems reflect this pain and leave a legacy of the emotional priced paid in the wake of war.

Sunday, October 26, 2014

Trampoline Queen

The little queen
Of the trampline
Jumped high, high, high.
Some avowed
In the gaping crowd
She often touched the sky.
More wondrous thing
Was how she'd cling
To a phantom air trapeze
As she drifted down
To miss her crown
And land upon her knees.
On day at last They stood aghast
To see her vanish in the blue.

It's fantasy?
Then it must be
You don't know false from true.

Heel, Man!

My dog and I trudge through the snow.
I blaze a crooked trail.
"Heel, old fellow, heel," I say.
He wags a sullen tail.

The while I pause and palpitate
Where the foothills rise,
He's eager to be off again,
A challenge in his eyes.

I speculate on going back
To pleasant hearth and haven.
His hackles rise; the thought of it
Is impudent and craven.

At last his abject yielding
Has turned to canine scorn.
"Heel, man, heel". . .he bounds away
Into the drifting storm.

Frog Song

A mournful frog in a meadow bog
Croaks of love and sin.
It's evident this macontent
Is troubled deep within.
If you are old you hear him scold
The tadpoles in the pond
That spend the night in coy delight
On lilypad and frond.
But if, forsooth, you still have youth,
You know that he himself
Is out to woo some errant shrew
Elusive as an elf.
How like the frog--man's monologue
In this strange habitat
Is yes and no or may be so
Or blend of this and that.

First Run

No sunset is a re-run,
No dawn like this before,
No cloud was ever patterned thus,
No bird has sung this score.

Stay tuned to earth's spectacular.
From anywhere you are,
Your channel is a vista
Of endless repertoire.

Unrelinquished Day

One  day, remembering,
Fashion a boquet
With a sprig of everything
Redolent of May.

Center it with bluebells
That grow beneath the fir
Where you breasted tangled vines
Hand in hand with her.

Pick a dozen daffodils
Golden as her hair.
Wade a strem to fetch them.
They still are blooming there.

Then spray of wild rose
That leans across the rail
Where you and she sat barefoot
As in a fairy tale.

Recaptured all the fragrances
In your bright boquet.
Live again and love again
One unrelinquished day.

Who Are the Rich?

The rich are very poor
Unless they've known the joy
Of counting pennies in the plam
To buy a child a toy.

They cannot share the largess--
The budget running low--
Of handing out a dollar bill
To see a picture show.

Never theirs the victory
Of living in a home
That after endless enterprise
Will be their very own.

Holding heaven in the grasp
Is dreary and absurd.
The only glowing happiness
Is striving heavenward.

Four Little Girls

Kathy and Lizbeth and Julie
and Ruth
Are four little girls that know
one little truth:
Namely, a rosebud picked fresh
every day
Is all you can do and all
you can say
When you hold back the tears
and bend low to the ground
Where there's silence and memory
and peace all around.
This ritual of love is the moment of truth
For Kathy and Lizbeth and Julie
and Ruth.

October

In her regal dalliance
October lit a flame
That flashed on the maples,
Spelling out her name.

She strode through the aspen,
Pulling down the gold,
Strewing it profusely
On the ancient mold.

Swift along the valley
She raced with the gale
Toward the autmn exit,
Down a winter trail.

But she left such trinkets
In biding memory
As soft light on the land
And glory on the sea.

Inversion

"What do I care!"
Say it not.
It tells the world
You care a lot.

Look not away
With scornful eyes,
For that can be
A pack of lies.

If all too hastily
You leave,
I know that parting
Makes you grieve.

Thus do not turn
Things quite about
Or I will find
Your secret out.

Grist

Whoa, whoa, startled team!
The big wheel churning deep within
The roaring mill that rocks the beam
Is more of song than din.

Rein them to the chute, young man;
Spill the golden grain
Into the maw of the sifting pan.
Be more of man than swain.

You come with grist, as the miller knows.
Look away from flume and strem
Where bird song is and lichen grows
In less of earth than dream.

The girl will wait in the bowered door
To wave you as you pass,
Lumbering to the threshing floor.
She's less of maid than lass.

Tree and I

I have long been proud to be
Contemporary to a tree.

It was a whisper at the start,
With budding limb and joyous heart.

I was then a stripling too,
Vain of stature as we grew.

But not for long would I look down
Or set my hand upon its crown.

A summer came, and two and three,
And it had far outdistanced me.

Long autumn winds, and mischievous,
Conferred gnarled limbs on both of us.

I reached to break me off a staff
And know I heard the old tree laugh.

Mud March

March flexes now a brawny arm
To set the stage for spring.
You lie and listen to the wind;
You hear the hammer's ring;
The rhythimc shearing of a plane,
The snarling of a saw;
You wonder what is going on
In this wild williwaw.

But March can spare no hour
Of night to pave the way
For the April carrousel
And flowering of May.
Aloft, in mad rehersal,
A lark is on the wing,
Lone herald of fiesta days
and bold enough to sing.

O Terpsichore!

The muse of motion sadly sits
This generation out,
Appalled at how the vandals
Turn her rhythms all about.

No more the lissome graces
Of the waltz and minuet,
Now muffled in the downbeat
Of the madly modern set,

Who writhe in hyphenated stance
To stare with listless eyes
Across the artificial gulf
Where famished pleasure lies.

But all this banal mummery
Will perish in the land
When men again have known the touch
Of her galvanic hand.

Gossamer Angel

Our Christmas tree is a rendezvous
For the migrant crowd and the binding few;
For the ones we touch by reaching out
And the ones we only dream about.
Blithe carols lilt on the vibrant air,
Reminiscent, everywhere,
The spangled tune and the olden song
Echoing the days long gone.
The pine, bedecked from base to crown,
Wears baubles new and handed down.

Swift through a haze of memory,
A child is there by a phantom tree,
The gossamer angel in its hand,
Poised for flight to a shadow land.
Tonight it reigns in lovely grace,
Its wings atilt at the topmost place.

Down the Lane

Come again to the garden gate
In the little frock you were,
With girded waist and ruffled skirt
And the flowered pinafore.

Stand by the wicket barricade,
Your hand upon the latch,
Your eyes as full of firelight
As jewels set to match.

Pretend once more you bar the way
To any hopeful swain
Who quite coincidentally
Is coming down the lane.

But not for long, oh, not for long!
Open wide the gate,
Remembering how paths divide
When hearts procrastinate.

Oquirrh Sunset

Clouds immersed in fire,
Flame lapping at the hill,
Molten causeway on the lake,
The valley awed and still.

O, splenderous inferno,
Consuming all the light--
A dream to tide us over
Till dawn dispels the night!

Summer Day

Sleepy summer day. . .
White malingering clouds
Imprinted on a hill
Where shadows cling,
Gulls circling a ledge of sky,
Too indolent to flap a wing.
The whisper of a stream,
The cattle in the shade,
Ruminating on a spot
Too far away to reach, 
The nooning sun too hot.
No stir the leaf,
No pulsing sound,
No distant call. . .
And you might dream the afternoon
Were there no hay to haul.

The Caper Gauche

Brawling winter returned
In a flurry of spite
To blot out the verdure
With nondescript white.

But in wild inadvertence
She modeled the trees
In festoon of laces
And silken chemise.

She spilled from her pocket
A fortune in gems
That spangled her robe
To the outermost hems.

Beweildered red tulips
Had to look twice
To believe what they saw
Through their lenses of ice.

The birds in the morning,
Remembering May,
Tumbled out of the drift
And sang winter away.

Are Crickets Unaware?

The elfins tune the fiddle,
The crickets ply the bow,
Their endless theme a riddle,
As dreamers all must know.

The somnolence, the weary drone;
Nostalgic is the call
To topple summer's regal throne
And don the tints of fall.

But what of winter's icy glare
And what of tasseled spring?
Are the crickets unaware
They're in the reckoning?

Icicles

Translucent spears deflect the light,
Pendant, jagged in a row,
Icy trinkets of the storm,
A distillation of the snow.

They last an hour, may be two;
Touched by the magic of the sun,
They slip their moorings on the eave
And shatter to oblivion.

Or, so the witchery of love
Erodes the shafts of hate and fear.
Seen through a window of the heart,
They melt and vanish, tear by tear.

First Kiss

First kiss, a very precious thing
Is something like a wedding ring
Or flower pressed within a book,
The captive memory of a brook.

You know the day, the hour, minute,
As though eternity were in it.
You know the place, and walking there,
You see the blossom in her hair.

And all that happened after that
Is but a faded photostat
Of what you hadn't dared surmise:
First kiss and heaven in her eyes.

Morning at Alta

See the silver spindrift blow
Across the mountain tops.
Its gentle banners wave and flow
Where earth begins and heaven stops.

The wind in errant sally flecks
The veil with jewel frost,
While we within the valley here
In wonderment are lost.

A thrilling moment it can be,
The billowed spindrift rising,
A moment in eternity
The gods are dramatizing.

Safari

Whistle up the morning, boy;
The dawn is pushing in;
The world is dangling every joy
A wastral traffics in.

Now what to do and whither go,
A tumult in the heart,
The wooded river there below,
The hills that stand apart.

Make haste, make haste--your nemesis
Is peering from the mow
And you will only dream of this
If summoned to the plow.

Whistle up the morning, flee,
Safari ends, ah soon--
When glitter of the sun will be
A pallor of the moon.

White Sand

Her little memories bubble up
Like white sand in a spring,
Each grain a petrified event
Of time's meandering.

Though most of it is trivia,
Odd bits of joy and pain,
As distant as the echoes
Of the pattering of rain,
 
Her gentle reminiscing--
My fine disdain apart--
Turns back the dimming pages
Of the annals of the heart.
 
When the white sand settles
And the spring runs dry,
Who will keep the record
Of an era going by?

Keep the Angels

"Why are there never angels any more?"
A little child was knocking at my door
Of mystery to know the ins-and-outs.
They had to lock it tighter than before.

Youth best had leave the mysteries alone.
Pretense that there is honey in the comb
Imparts a sweeter taste to crusted bread.
Illusion makes a jewel of a stone.

Without the angels in the upper air,
What then inspires hope and love and prayer?
What source of daily little consolation?
Keep the angels. . .may be they are there!

Waken, Poet!

Break the bonds of frozen pride
In your ivory tower.
Look upon the human tide
At its cresting hour.

Behold the little people
And the striding great
Pass the mart and steeple
To the scuffing sound of fate.

Champion the laggard,
But the ones to pity most
Are the favored in the running,
The scornful at the post.

Waken, poet, from your dream
Of eerie enterprise.
Look upon the human scene,
Compassion in your eyes.

Unfurl the Light

What happens to my burdens
When I sleep?
The only thing that I can say
. . .they keep.

Whither go my eerie dreams
When comes the day?
The only answer I can make
. . .they've gone away.

Unfurl the light, Apollo,
Fan the dawn.
Your constancy is all I have
To lean upon.

Death on the Sidewalk

Time is an angel or wild juggernaut,
Time is a hope or a vain after thought.
An invisible destiny bearing a clock
Goes silently there where you run or you walk.

The pendulum is muted, no hint of a storm,
Till the fateful wheels mesh in crashing alarm.
Then you say time will heal, but it's only a myth
Of the heart and the soul you are battling with.

The hours march on. . .in the schedule they keep,
Your tears will be spent but another will weep.
Yet time is an angel; it brings you the dark
And a shore with a haven where dreams can embark.

Growing Old

They speak of second childhood.
But where are all the joys?
And why does no one ever bring
Our lost and broken toys?

They call old age the flowering
Of wisdom and content,
Though what have we of either
But disillusionment?

They poetize the autumn time,
The yellow leaf and sere.
Oh, give us back the verdant days
Lost in the yesteryear!

Memorial Day

The blossoms wilting in the sun
Are silent testament
The flowering is an episode,
The falling petals the event.

Their wistful scent and coloring
Enshrine a borderland
Where hand of flesh is reaching out
To touch a phantom hand.

Every path is hallowed here.
Every legend on a stone
Is a whisper from the ground
To one who kneels. . .alone.

The memories capitulate,
No futile tears are shed.
Memorial is for all of us
In this vast flower bed.

Bayonet Man

He's got the hang
Of swift, clean strife.
He's ready to save
Our way of life.

There's no hard hate
In his laughing eyes,
But he'll let them in
For a big surprise.

He'll spike the belly
Of any foe
and sicken to see
The hot blood flow.

He'll give their guts
A tortured twist
And cry to God
That he might have missed.

He'll make a corpse
Of a mother's son
And curse the day
That made HIM one.

S'long!

Now at last you sit alone
To sort the dreams you pushed away,
So in haste were you to come
To this bleak autumn day.

There was a gentle fallow field
You passed with foolish scorn
In quest of cornucopia,
Man's fabled treasure horn.

The rainbow myth of sudden gold
Had vanished with the sun.
The morning came and there were yet
So many miles to run.

You glimpsed the blossoming of May
Through a fleeting eye,
Then standing wearied on a hill
You saw the vision die.

The lilting voice that bade you stay
Now echoes on and on
To make a dim forever
Of your gay s'long!

The Toiler

Linger, weary man,
In the coffee place.
Contemplate the destiny
In your mirrored face--

A destiny of linking
Your days into a chain
As endless as the downbeat
Of the ten-cent song refrain.

Stir the cup, as leisurely;
Pretend the morning break
Is herald of a new day
With bitter things at stake.

Linger, man, and dream;
The coffee is superb.
Or have you left your motor
Running at the curb?

These Hushed and Gone

Let them sleep;
They earned this rest.
They lie in sanctuary now
At His behest.

No cruel word can reach
The muted ear;
No futile acrimony stir
One single tear.

The anxious stars
Are watching over them.
Low winds intone
An endless requiem.

These hushed and gone,
If only they could weep,
Would weep for you.
Let them sleep.

Ineluctable

Could it be this teeming world
Is God's rare garden,
Cluttered with the weeds of sin
But bounteous in pardon?

Does he use mysterious means
To nurture us in pain,
Alternating sunny skies
With the sodden rain?

Is purpose ineluctable
In the shrouded plan
To lead his harried children
To the stature of a man?

The Wing'ed One

The wing-ed one from outer space
Returned now to his native star
To tell the other wing-ed ones
How very sick and sad we are.
They thought it quite incredible
The denizens of nether earth
Would go about with ruthless hands
To desecrate their things of worth.
They arched their wings in sorrow
At the sordid news of greed--
Of how the lordly dominate
The groveling millions there in need.
Their eyes were wide with wonderment
To hear of tools men battle with
To kill and scar and mutilate
To prove some old and tattered myth.

The Song and the Cry

Go, eerie lark, on errant wing,
Flaunt the gladness of the spring,
Skirt the dawn in feathered gust,
Put down in every bay you must--

The blossom tree, the greening knoll,
The briar patch, the leaning pole.
Salute the morning, wake the day,
O voice of April calling May.

Yet, paradox is in the song
From every hedge you wing along.
The joyous birth of spring you hail
Evokes the cry of earth's travail.

Dawn to Dawn

At dawn of youth
All hope is high
And glory bands
The morning sky.

A cloud athwart
The day's ascent
Is sudden shock
To the innocent.

High noon has lost
The old esprit
And eyes turn
Eastward yearningly.

With sunset comes
The dawn of truth,
Grim paradox of
Vanished youth.

Silent Voice

How strange to waken in a world
Where peace is like the wind gone down,
The silence like a banner furled
Or tranquil bay the stream has found.

No more the sighing sound of breath
Of wearied men who marched with me,
No more the sudden gasp of death,
No more the sound of reveille.

Know this peace in rendezvous
Where mottled granite marks a spot.
What more can any mortal do
Than touch the shore where time is not?

Rich Man, Poor Man

Take the world, all of it:
The world is yours. . .
The sky, the sea, the fair hills
As long as time endures.

But time is swift and urgent.
The gods are niggard there;
The while you're counting sunsets
You've had your little share.

Love's Ghetto

You touched her hand and startled dreams
Drew the shades apart.
She knew you saw the disarray
Of things within her heart

She vowed that you should never know
The penury of dreams,
The drabness of the inner halls,
Pale light across the beams--

Where sagging webs of time enmesh
The broken wings of hope
And shadows of the wasted days
Interweave and grope.

But now you know the squalid truth:
Love languishes until
You enter to abide with it.
She knows you never will.

Turn the Coin

Gay laughter coming
From a room apart
Is added sorrow
To the anguished heart.

Seen through a rifting cloud
That threatenes rain,
Soft sunlight on the hill
Is sudden pain.

Bright sails are for
The faring, evermore,
Grey phantoms to
The sailor gone ashore.

Hymn of the Hobo

Keep your jingle, leave me mine,
Where I can mingle with the stars
Or lie and ponder space and time
While you count sheep or dream of wars.

Comes the dawn. . .good morning world!
I raid my slender bindle pack
And breakfast like the king I am
Before I saunter down the track.

I have no truck with ends or aims
You struggle for so futilely.
The far horizons closed to you
Are open passages to me.

As for the day of reckoning
you hold in such austere regard--
 A starlit track across the bar
Will be my rich reward.

Frail Dreams

His fragile house beside the sea,
Built of driftwood from the shore,
Leans on the wind precariously
And trembles in the breakers' roar.

On days of calm he combs the beach
For broken scraps of this and that,
Among the things within the reach,
Frail dreams for his poor habitat.

He reads the mystic horoscope
Of sky and rippling sea and land
And holds the silver thread of hope
Trembling in his wearied hand.

Deep in his soul there is a fear
The rolling tide of destiny
Is rising high and coming near
His fragile house beside the sea.

Pied Piper

His passion was people, the ones he had seen
And the ones he would track in a wayfaring dream.
With a blithesome disdain of the toils of the day,
He would hail the new dawn and be up and away.

The girl in the valley, the man in the mart
And the child in the cradle he took to his heart.
He would touch them and leave on the fugitive round
Of all the far places where people are found.

Then. . .a brawling night wind in hideous jest
Snuffed out the candle and darkened the quest.
A concourse of people stands bowed at high noon
For a nameless Pied Piper gone down with the moon.

Vision

In a jungle hell where soldiers fought
And guns spat death on white and black,
One made a target of himself
To bring a wounded brother back.

Where sad eyes met in a bamboo hut,
Each lying on a sodden bed,
They had the same bewidlered thought:
All human blood is red . . . is red!

The rivers run incarnadine
Down to a restless sea
Whose tides will cleanse the murky flood.
They saw the vision distantly.


 

The Sad Song

March to the beat of little drums,
Drums that only you can hear,
On winding paths of circumstance,
Across the day and down the year.

Imagine not some other one
May ever travel at your side,
For in this labyrinthine vale
Roads briefly merge and then divide.

You hear a voice or touch a hand,
But never is it yours to know
The toils of anguish round a heart
Or whither he will turn and go.

The sad song of togetherness
Forever echoes in the land
To cry how much alone you are
And how you yearn to understand.

Eternal Flame

The flame eternal marks the path
Where footprints came a little way,
To end as though some voice of wrath
Had summoned men to bend and pray.
 
The Journey to the distant land,
Forever charted for the brave,
Is signaled by a gentle hand
That lit the flame beside a grave.

The Bay of Bells

She walked the shore to find a place
They called the bay of bells.
For here an ancient music slept
In long abandoned shells.

Whoever found a certain shell
And pressed it to the ear
Would hear a peeling of the bells
Like heaven drawing near.

But only one, the legend said,
Would ever find the magic shell,
Then vanish to its echoing
In the ocean swell.

The natives shun the bay of bells,
There's mourning now along the land.
Pointing seaward, they will say:
The fatal shell is in her hand.

Cry the Wind

Cry the fury of the wind,
Not the gentle snow
That now in ravished beauty lies
In the day's bright glow.

The gale that lashed the battlements
Through an anxious night
Has spread a robe of loveliness
In its careening flight.

The endless drifts that reach away
Are like a ruffled sea
That soon will know the utter calm
Of sands along the lee.

Watherver glory you will hold,
Whatever stars attain,
Will be a bounty of the storm,
A residue of pain.

Saturday, October 4, 2014

Point of View

From where you sit to view this thing
We now discuss, 'tis clear
That you are right and I am wrong.
But -- I'm sitting over here!

It seems to me you're quite perverse
To argue and declare
That all the truth is on your side.
But -- you're sitting over there!

I wonder, should we view the world,
Each through the other's eyes,
If what we saw would bring to us
A staggering surprise.

Why, could it be, your party's plank
Is laid on solid ground?
And that the party I uphold
Is rather safe and sound?

Would I see good in your dear friend,
Who seemed to me a boor?
And you accept a friend of mine
You'd never liked before?

Or would I recognize some truth
In your outlandish creed?
And would you say my faith is more
Than some poor shaken reed?

It's funny, when you stop to think,
The causes we espouse!
Each wholly wrong, each wholly right,
By all eternal vows!

So you come over here and sit
And I'll sit over there,
Then all our futile differences
Will vanish in thin air!

(Copyright, 1940)

Two Noisy Kids

They can think of the funniest things to do,
Those two noisy kids that belong to you;
When you're dreamily sprawled for an evening nap,
Comes Mary to plop herself down in your lap,
Or mother to say that young Bob is to blame
For breaking the neighbor's big bay window pane.

You are wakened, perhaps, in the dead of the night
By some yapping furore and you're worried quite
To the point of distraction to find down there
A stray dog is chained to the basement stair;
And the only excuse that you ever will get
Is that every young fellow must have him a pet.

Then our Mary comes in with a rend in her dress
And her face and her hands are a horrible mess,
It's an awful affair, that's the least you can say,
For a girl celebrating her twelfth natal day.
Yes, dear mother is vexed, and dear mother can mend
But young Bob was to blame, it comes out in the end.

So the teacher's been calling again here today:
She has come round the block and gone out of her way;
Though her visit is brief and her message is short
It has something to do with that young man's report.
She suggests they apply both the rod and the rule,
If he's noisy at home like he is in the school.

But the climax has come in the boist'rous din
when young Mary's piano and Bob's violin
Are both throbbing and booming and screeching away,
As they hurry through practice to be at their play.

Yes, they think of the funniest things to do,
Those two noisy kids that belong to you.
But when you relfect in some moment of calm,
You are vain of the title of "dad" or of "mom."
And you know in your heart that the ultimate truth
Will teach you the hope of the world is in youth,
And you'll long once again for the vanished delight
Of voices that break on the stillness of night.

(Copyright, 1940)

The Man

I'd rather have one fighting man
Than armies of the ilk
Who sit around and wish that life
Were always soft as silk.

I'd rather have one planning man,
Outfitted with a scheme,
Than ten who go as aimlessly
As phantoms in a dream.

I'd rather have one action man
Than ten who trust to fate,
Who find a sheltered place to sit,
The while they wait and wait.

I'd rather have one happy man
Than all the men who sigh
At opportunities they see
Forever passing by.

I'd rather have one working man
Than laggards by the score;
Who dawdle on the rugged path
Where toilers go before.

Yes, give me just this type of man
And I will let you take
The legion of the men who moan
They never had a break.

He'll take the task that can't be done,
And DO it, while they preach
About the hopelessness of things
That lie beyond the reach.

He'll raise the torch of enterprise
Above the timorous souls
And show the world the way to rise
To distant shining goals.

He'll get the iron hot himself
And when it's glowing, strike!
He'll make the world the kind of place
That spineless men would like!

(Copyright, 1940)

Man in My Town

There was a man in my town
So full of foolish haste
That he grudged the thirty seconds
Any traffic light would waste.

He couldn't brook the small delay
Of keeping in the line
When cars were going round a curve --
It meant a loss of time.

He always took the gambler's chance;
How vainly he would grin
At the moments he was saving
By the trick of cutting in.

Pedestrians were a bother,
And they'd better move right fast
When he'd head in their direction
And would give his horn  a blast.

He saved split-seconds every day
By scaring to retreat
The children who would be at play
Along the sunny street.

Ah, cars were made for speed . . . why not?
He had no time to lose.
Let laggards slow their motors down
And idle -- if they choose.

But one day his maddened monster
Had turned berserk, in a breath,
As it bore down in destruction,
Like a juggernaut of death.

******

There is a man in my town
With time to comtemplate
That there's nothing quite so tragic
As the haunting words, "too late!"

Too late to turn a lad's shrill cry
To laughter that had been
The music of a neighborhood
That children play within.

Too late to blot a memory from
The one who gave him birth
With just the bleak reminder now
 -- A marker in the earth.

Too late to blank the vision
Of disaster he had wrought
For the gain of sordid minutes,
For the worthless time he's bought.

Too late to find atonement
In the caution he had learned,
Too late for any solace
Where a seared conscience burned.

There is a man in my town
Who is never now in haste;
Who would give his life's whole heritage
To have one deed erased!

(Copyright, 1940)

It's Your Flag!

It's your flag . . .
Rugged toiler in the field --
It's not his flag
Who desecrates the yield
Of soil and seed
To make our country's wealth
The pawn of greed.

It's your flag . . .
Soldier, marching on to war --
It's not his flag
Who makes you what you are --
A soul and body rent --
To show a ledgered profit
On his armament.

It's your flag . . .
Humble worker on the line --
It's not his flag . . .
Who works you overtime,
Where gears and levers mesh
To make a sordid merchandise
Of human flesh.

It's your flag . . .
Mother, bearing gifts of life --
It's not his flag
Who shirks the galling strife
Of giving this America
The soul and brawn --
The singing strength to carry on,

It's your flag . . .
Trusting brother at the poll --
It's not his flag
Who gets you to enroll
To keep some plitician
In the sun
When voices shout --
"the party's won!"

It's your flag . . .
If in every fold and crease
You see the flaming destiny
Of peace.
It's not your flag,
if you would have men bleed
To win some war of hate
For alien creed!

(Copyright, 1940)

Success

There's more to life than
Sitting tight in smug serenity,
Upholding every private right
Of all that's mine . . . and me.

My eager crowding for a place
Exclusive in the sun
May cast a shadow on the face
Of some more worthy one.

*My frantic reaching out for fame
That mortals will applaud
May rob me of the fine acclaim
That cometh down from God.

My feverish toil, on wealth intent,
To reach an earthly goal
May lead to stark impoverishment,
A beggar of the soul.

My will to make of passing days
A tinkling pleasure chain
May bind me, as the vision grays,
To mockery of pain.

*What, then, is worth my toiling for?
What gain is worth the strife?
What goals beckon from afar?
Which way the blessed life?

The building of success, I'd say,
Will come just down to this:
To have my striving go the way
Of others' happiness!

(First published in Along the Lane: Dedicated to the memory of Thomas William Larsen, who lost his life in World War II)

*The paragraphs in italics are those that appeared in the original writing of the poem, but were omitted in the published version.

The Least You Can Say

It's a great little weapon,
That tongue in your head;
And you take it wherever you go;
Yes, I'm sure you'll agree
It's a weapon to dread
When you use it for lashing a foe.

You can wound with a phrase
Or cut deep with a word
Its a smoke-screen of innocent jest;
But the truth of it is,
Or -- well, so I have heard,
That the least you can say is the best.

It's a weapon for gossiping
All through the day
Or at night in the tattler's club,
When the free-for-all wagging
Has infinite play
And wild rumor is worn to the nub.

It's a marvelous thing
How some word you let fall
Can ruin a man.  But please rest
Quite assured, my dear friend,
If you must speak at all,
That the least you can say is the best.

It's a great little weapon
For sarcasm, too,
The sly tongue that you hold in your cheek;
You can cut men to pieces
Or run them quite through
With an ironic word you can speak.

What a weapon it is
For dethroning a man
From his fine self-esteem -- but I'm blessed,
That I firmly believe --
Ah, deny it who can!
That the least you can say is the best!

(Copyright, 1940)

A Friend

He's not a friend who flatters you
With empty words,
To lift you high in self-esteem
Or have you feel
That you are what you're not.
A friend will wound you --
Cruelly, perhaps,
With truth's hard edge of steel.

He's not a friend who bends his back
To bear a burden that is yours
Or clears the rock-strewn way
Through all its length;
A Friend will merely hold you
By the hand
To let you know he knows your
Need of strength.

He's not a friend who bids you
Leave off trying the ascent
To gleaming, distant star
At heaven's top.
However futilely you strive,
A freind will know
There's glory in the following
Of dreams -- nor see you stop.

He's not a friend who ridicules
Your pitiful mistake,
In dread of how some error leads
To tragic end.
But if he makes pretense of
Never having seen
The thing that you yourself
Deplore -- he is your firend.

He's not a friend who scoff
At every naive faith
You turn to in a troubled sea
Of doubt.
He is your friend who kneels
With you to pray,
Yet feels there's little but
The prayer -- to lift you out.

(Copyright, 1940)

June Song

Oh, it's holiday time
And we'll make a new rhyme
High keyed to a rollicking tune --
There'll be murmuring of trees
In the soft summer breeze
And a slave of welcome to June.
You can whistle this air
As you clamber up there
Where zephyrs catch up the refrain;
Where the tang of the pine
Is as tonic as wine
And the cataract shivers to rain.

Or go humming our song
As we're scudding along
In fleet-flying tippecanoe,
While the dip of the oar
Scatters ripples ashore
And the world is made only for you.

Come, follow my flight,
We will sing our delight,
Tip-toe and atop of the hill;
Where flowers aflame
In the gold and the rain
Are the note of our lyrical trill.

At the edge of the wood
Where the Driads have stood,
Enthralled at the glory of day,
We will fashion our tune
In a garland for June,
Then toss it away and away!

And our song will come back,
Ah, alas and alack!
In some sad autumn day of the year;
When we live at a time
That our echoing rhyme
Can evoke but a sigh or a tear!

(First published in Along the Lane: Dedicated to the memory of Thomas William Larsen, who lost his life in World War II)

Resolution

Though cynics laugh exultantly
At all your high resolving
I think that you'll agree with me,
It keeps the world revolving.

'Tis true a certain place is paved
With resolutions broken;
But here and there a pledge is saved,
And by that very token.

The world is lifted from a groove
Of blind and futile striving;
The van of progress, on the move,
Will one day be arriving.

At some far distant, pleasant place
We call a destination.
Resolving sets the forward pace
Throughout the world's creation.

The very soil on which you stand
Is yours through some one's notion
That he could find an unknown land
Beyond an endless ocean.

The liberty you now can claim
As life's most prieceless dower
Harks back to some heroic name
Who broke the ban of power.

Name any treasured thing of life;
Somehow it will revolve
Around the thought and toil and strife
Of one who did resolve.

So turn a corner, if you will,
The way your heart is yearning.
And though you falter on the hill
You're better for the turning.

(Copyright, 1940)

There and Back

Jim had heard about the city
Where the fortune seekers go,
With its bright lights and its pretty
Girls a-trapin' to and fro;
Of the fine fat jobs a-wastin'
For the snappy country lad
Who is keen to be a tastin'
Of the things where life is glad.

So he bought a one-way ticket
And he told the folks adieu:
Then as chipper as a cricket
Caught the "six-o-ten" and blew.
He had ninety cents in money
When he landed in the town,
And his knees they acted funny
As he walked and gawked around.

When he had but one small quarter
And a pinched look in the face,
He opined that it was sorter
Queer he couldn't find a place.
And where was all the laughter
He had read of in a book
And the friends that follow after
One like fishes on a hook?

As he thought of mother's table
And the wholesome country fare,
He could wish it were a fable
That he wasn't sittin' there.
And dad's meadow soft and yearnin'
Beckoned to his weary feet
That were blistered now and burnin'
From his trudgin' down the street.

And the friends back home who missed him --
Ah, he longed again to see
All their happy smiling faces;
How he wished once more to be.
In the midst of those who loved him,
Those who'd call him by his name
When he got back to the valley
Where wayfarers always came.

So he left the bright lights shinin'
And he hoofed it to the farm,
Where the clouds have silver linin'
And where hearts beat true and warm.
Let the others seek the city,
but, no sir,
boy -- not for him;
He just thinks of them with pity,
Does our disillusioned Jim.

(Copyright, 1940)

Raggie

Come, Raggie, little fellow, speak!
The woprship in your eyes
Is like the homage of the meek
That swift to cover flies
When one has seen the yearning look.
Which taken unawares,
Is plain as reading in a book,
Devout as Christian prayers.

Don't wiggle so, you little wretch,
You can't conceal your love.
The more you roll your eyes and stretch
Your little paws above
The towsled head, the flapping ears,
The plainer 'tis to see
That you'd stick by me through the years
And one day die for me.

What means that wagging of the tail, 
That squirming inside out?
Such antics, Raggie, never fail
To banish any doubt
That I'm the object you adore,
The apple of your eye.
I see it, Raggie, more and more
In every ruse you try.

Now stand up tall -- there -- that's a chap
And shake me by the hand.
And tell me with your silly yap --
That's talk we understand.
Tell me -- that's right -- one, two, three.
A pledge, old boy, that you
And  I will always faithful be,
Though times may go askew.

Now roll, three times upon the ground
One, two . . . three times, I said!
Ah, Rags, you stubborn little hound
I'll stand you on your head.
You'll do it then? You will? That's fine!
That whimpering is droll.
You love to be that slave of mine.
See how you cringe and roll!

Oh -- so?  And now you're playing dead.
That tail across your nose
Almost conceals your fuzzy head;
You're wiggling your toes!
Why don't you shut that other eye?
Dead dogs don't ever peek.
Poor doggie's dead . . . ah me -- oh my --
I'll stroke your fur down sleek.

Well - good-bye, Raggie -- I'll be off
To ramble in the wood.
Too bad you cannot go along,
As dog and master should.
What's that --? You're coming -- dead or no?
You are! Well, stop that yelp
Before another step we go --
You cunning little whelp!

(Copyright, 1940)

Dreaming

Dreaming is a fool's delight,
Some say --
Yet I have sat and dreamed the
Day away.
Songs I have heard that I had
Thought were dead
And bits of tune have drifted
Through my head
That I once whistled on the
Way to school.
Do dreams like that make any
One a fool?

You'd be amazed at all the faces
I have seen,
Though dimming distant years
Have come between.
That time I stood amidst my
Friends and this
Sweet wasted day I use to
Reminisce
A meadow I have roamed where
Flowers' scent
And call of birds were everywhere
I went.
The river flowed the same around
The bend.
Ah, I could wish that this would
Never end.
But night is here.  A blissful
Squandered day
Must close where waters sing and
Willows sway.

So twilight brings me but the
Dream of dreams;
I sit in silence here, and now
It seems
That all the days I've strewn
Along the track
Are far more sunny when I
Bring them back.
Then do not smile at me
If I retrieve
These vanished joys.  For you
Will come to believe,
The same as I, that life's
Most blessed dower
Is in the day for dreaming
Dreams -- the wasted hour!

(First published in Along the Lane: Dedicated to the memory of Thomas William Larsen, who lost his life in World War II)

Time

What marvelous things there are
To save us "moderns" time!
A score of gadgets in the home
To rout the dirt and grime
Or speed the gentle tasks
Of kitchen cookery --
Such things as baking cakes
Or brewing tea.
Whisk! the job is done,
Ah, very soon
Our lady will be gone
The afternoon.

The water for the master's
Morning shave
Is ready in a trice.
He saves ten minutes
On his beard alone.
Ten golden minutes --
Things are pretty nice
With such efficiency
Within and out the home.

For think of all the time he saves, 
Once in the swivol chair --
The buzzer and the telephone
Both waiting there
To set a hundred people
On the run.
You'd almost say that
Modern life is regimented fun.

Time . . . my how we save the time!
A modern motor car
To catapult us over dizzy miles
to where we wish to be
From where we are . . .
An hour saved, just there,
Each blessed day.
A wonderful saving of time,
I'd say!

But time for what?
Time for getting in a rut 
Of haste!
Ah, I recall that in the olden days
We knew no wast
Of time.
Yet there was time enough
To walk across the hill
And chat a while
With some poor neighbor
Who was ill;
Or time to wander through
Our sunny field
Where blessed solitude
Was half the yield.

Yes, yes, I know --
The advocates of time
Say time is money.
But in the olden days,
When money didn't mean so much
That creed had sounded funny.

So take an hour of your time --
Though time be growing late --
To hear the frantic stride of other men,
The while you contemplate
The worth of time!

(Copyright, 1940)